{"id":13993,"date":"2025-04-06T20:00:45","date_gmt":"2025-04-06T19:00:45","guid":{"rendered":"https:\/\/parolesetmusique-lyon.org\/?p=13993"},"modified":"2025-04-06T20:00:46","modified_gmt":"2025-04-06T19:00:46","slug":"le-quatuor-aegon","status":"publish","type":"post","link":"https:\/\/parolesetmusique-lyon.org\/?p=13993","title":{"rendered":"le Quatuor AEGON"},"content":{"rendered":"<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_one_half  avia-builder-el-first  \" style='border-radius:0px; '><div  class='avia-image-container  av-styling-    avia-builder-el-1  avia-builder-el-no-sibling  avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/parolesetmusique-lyon.org\/wp-content\/uploads\/2021\/11\/2021.11.06-Adrien-Irankhah-2-225x300.jpg' alt='' title=''   itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_one_half  el_before_av_one_full  \" style='border-radius:0px; '><p><div  style='padding-bottom:10px; ' class='av-special-heading av-special-heading-h3    avia-builder-el-3  el_before_av_textblock  avia-builder-el-first  '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >le Quatuor AEGON<\/h3><div class='special-heading-border'><div class='special-heading-inner-border' ><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><div class=\"elementToProof\">\n<div dir=\"ltr\">Form\u00e9 au Conservatoire Sup\u00e9rieur de Lyon (CNSMDL), le Quatuor AEGON r\u00e9unit Marie Delaunay-Quenechdu et Vincent Westermeyer au violon, Alice Valognes \u00e0 l\u2019alto, et No\u00e9mie Malochet-Breuilh au violoncelle.<br \/>\nMusiciens au d\u00e9but de carri\u00e8re prometteur, ils s\u2019illustrent individuellement au sein de prestigieuses formations ainsi qu\u2019en solistes et chambristes. Forts d\u2019exp\u00e9riences \u00e9clectiques, ils concilient carri\u00e8res individuelles et commune pour explorer le monde exigeant mais somptueux du quatuor \u00e0 cordes.<br \/>\nLe Quatuor AEGON continue de se former au plus haut niveau en int\u00e9grant en 2024 un master de musique de chambre au CNSMDL dans les classes de Yovan Markovitch et Agn\u00e8s Sulem, ainsi qu\u2019un cycle concertiste au CRR de Paris dans la classe de Luc-Marie Aguera, cursus qui leur ouvre aussi des classes de ma\u00eetres prestigieuses durant deux ann\u00e9es, ainsi que des concerts dans des hauts lieux culturels tels que l\u2019Auditorium de l\u2019Orchestre National de Lyon ou l\u2019Op\u00e9ra de Lyon.<br \/>\nLeur talent les conduit d\u00e9j\u00e0 sur de tr\u00e8s nombreux festivals et r\u00e9citals en France et en Europe ainsi que sur des projets de cr\u00e9ations m\u00e9langeant la musique aux arts divers tels que la po\u00e9sie, la litt\u00e9rature, la gastronomie et l\u2019\u0153nologie, les arts circassiens, et bien d\u2019autres encore.<\/div>\n<\/div>\n<\/div><\/section><\/p><\/div><div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  avia-builder-el-5  el_after_av_one_half  avia-builder-el-last  column-top-margin\" style='border-radius:0px; '><div  class='avia-button-wrap avia-button-center  avia-builder-el-6  avia-builder-el-no-sibling ' ><a href='https:\/\/parolesetmusique-lyon.org\/?page_id=12140'  class='avia-button   avia-icon_select-yes-left-icon avia-color-theme-color avia-size-small avia-position-center '   ><span class='avia_button_icon avia_button_icon_left ' aria-hidden='true' data-av_icon='\ue830' data-av_iconfont='entypo-fontello'><\/span><span class='avia_iconbox_title' >Retour musiciens 2024-2025<\/span><\/a><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13993","post","type-post","status-publish","format-standard","hentry","category-test"],"_links":{"self":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts\/13993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13993"}],"version-history":[{"count":1,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts\/13993\/revisions"}],"predecessor-version":[{"id":13994,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts\/13993\/revisions\/13994"}],"wp:attachment":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}