{"id":9665,"date":"2021-09-19T15:37:44","date_gmt":"2021-09-19T14:37:44","guid":{"rendered":"https:\/\/parolesetmusique-lyon.org\/?p=9665"},"modified":"2021-10-04T19:58:32","modified_gmt":"2021-10-04T18:58:32","slug":"le-decaedre","status":"publish","type":"post","link":"https:\/\/parolesetmusique-lyon.org\/?p=9665","title":{"rendered":"Le D\u00e9ca\u00e8dre"},"content":{"rendered":"<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_one_half  avia-builder-el-first  \" style='border-radius:0px; '><div  class='avia-image-container  av-styling-    avia-builder-el-1  avia-builder-el-no-sibling  avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/parolesetmusique-lyon.org\/wp-content\/uploads\/2021\/05\/2021.04-Le-De\u0301cae\u0300dre-300x267.jpg' alt='' title=''   itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_one_half  el_before_av_one_full  \" style='border-radius:0px; '><p><div  style='padding-bottom:10px; ' class='av-special-heading av-special-heading-h3    avia-builder-el-3  el_before_av_textblock  avia-builder-el-first  '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Le D\u00e9ca\u00e8dre <\/h3><div class='special-heading-border'><div class='special-heading-inner-border' ><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Des vents, des cordes<\/p>\n<p>Un ensemble symphonique \u00e0 dix faces<\/p>\n<p>Voici\u00a0<strong>Le D\u00e9ca\u00e8dre<\/strong><\/p>\n<p>Dix, c&rsquo;est peu pour une symphonie. Un par pupitre, l&rsquo;exigence est l\u00e0.<\/p>\n<p>Mais dix, c&rsquo;est aussi une nouvelle voix pour les couleurs de l&rsquo;orchestre, une nouvelle voie pour transporter une symphonie et en r\u00e9inventer l&rsquo;\u00e9coute.<\/p>\n<p>L&rsquo;ensemble, n\u00e9 en 2020, savoure encore sa jeunesse et arrange des pages pour dix port\u00e9es avec la fra\u00eecheur des curieux.<\/p>\n<p>C&rsquo;est l\u2019histoire de 10 musiciens professionnels aux chemins vari\u00e9s, aux \u00e9tudes multiples.<br \/>\nIls se croisent, s\u2019\u00e9coutent, jouent parfois sur la m\u00eame sc\u00e8ne sans se conna\u00eetre.<br \/>\nPuis vient finalement l\u2019heure des rencontres, autour d\u2019un caf\u00e9 ou d\u2019un verre, pour croiser gla\u00e7ons et po\u00e8me symphonique, nuits blanches et conception orchestrale.<\/p>\n<p>De l\u2019int\u00e9rieur, ceux-l\u00e0 veulent du nouveau pour la symphonie, quelque chose d\u2019actif, voire m\u00eame de r\u00e9actif, o\u00f9 la chimie des solistes va se m\u00ealer \u00e0 l\u2019\u00e9coute chambriste d\u00e9velopp\u00e9e depuis des ann\u00e9es.<br \/>\nEn 2020, la petite formation joue sur des pages de Beethoven et r\u00e9fl\u00e9chit au son d\u2019ensemble, au rythme d\u2019une r\u00e9p\u00e9tition sans chef, au travail d\u2019intonation.<\/p>\n<p>De ce magnifique projet nait\u00a0<strong>Le D\u00e9ca\u00e8dre<\/strong>.<br \/>\n\u00abNous interpr\u00e9tons nos propres arrangements du r\u00e9pertoire symphonique, de la p\u00e9riode classique \u00e0 la p\u00e9riode moderne. Chaque pupitre est soliste et incarne les r\u00f4les que lui donne la partition\u00a0\u00bb.<\/p>\n<p><a href=\"http:\/\/www.ledecaedre.com\">www.ledecaedre.com<\/a><\/p>\n<\/div><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><span  class=\"av_font_icon avia_animate_when_visible avia-icon-animate  av-icon-style-  av-no-color avia-icon-pos-left \" style=\"\"><span class='av-icon-char' style='font-size:40px;line-height:40px;' aria-hidden='true' data-av_icon='\ue805' data-av_iconfont='entypo-fontello' ><\/span><\/span>\n<p><u><a href=\"mailto:ledecaedre@gmail.com\">ledecaedre@gmail.com<\/a><\/u><\/p>\n<\/div><\/section><\/p><\/div><div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  avia-builder-el-7  el_after_av_one_half  avia-builder-el-last  column-top-margin\" style='border-radius:0px; '><div  class='avia-button-wrap avia-button-center  avia-builder-el-8  avia-builder-el-no-sibling ' ><a href='https:\/\/parolesetmusique-lyon.org\/?page_id=8080'  class='avia-button   avia-icon_select-yes-left-icon avia-color-theme-color avia-size-small avia-position-center '   ><span class='avia_button_icon avia_button_icon_left ' aria-hidden='true' data-av_icon='\ue830' data-av_iconfont='entypo-fontello'><\/span><span class='avia_iconbox_title' >Retour musiciens 2020-2021<\/span><\/a><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9665","post","type-post","status-publish","format-standard","hentry","category-test"],"_links":{"self":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts\/9665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9665"}],"version-history":[{"count":8,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts\/9665\/revisions"}],"predecessor-version":[{"id":9769,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=\/wp\/v2\/posts\/9665\/revisions\/9769"}],"wp:attachment":[{"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parolesetmusique-lyon.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}